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  • Welcome to ARTCASH 2026 October 2, 2026
    Last Wednesday, we gathered at Capitale, a former bank in New York City’s Lower East Side, to celebrate Rhizome’s 30th anniversary and raise funds as we embarked on our next decade. Formerly the Bowery Savings Bank, it was built in the 1890s and designed to resemble a Roman Temple. Rhizome responded to this setting by […]
  • Apply to be the Amsterdam City Fellow! October 1, 2026
    Application Deadline: October 12, 2026 12pm CEST Rhizome and Hartwig Art Foundation are appointing a part-time Amsterdam City Fellow to build community connections and strengthen engagement with digital art and creative technology practices in the region. The City Fellowship is a new initiative that embeds Rhizome researchers and writers in institutions and cities around the […]
  • Thank you for Celebrating 30 years of Rhizome! September 28, 2026
    Last Wednesday, Rhizome celebrated its 30th anniversary at Capitale in NYC. Thank you to everyone who made this night possible! Host Committee: Fred Benenson & Louise Macfadyen, Sofia Garcia, Natalie Stone, Mark Tribe & Emily Eakin, Athena Tse, Jeannie Vu & Jehan Chu Activations: Inpatient Interactive, Alex Declino, Luke Shannon, Blake Andrews, Club Chess, Donna […]
  • RHIZOME 30th ANNIVERSARY BENEFIT AUCTION September 23, 2026
    For our 30th anniversary, Rhizome supporters have organized a special art auction, featuring works by Evil Biscuit, LoVid, Jennifer and Kevin McCoy, Tyler Hobbs, and Casey Reas. The works gathered here reflect a range of approaches to artists working with code and image processing, moving between figuration and abstraction. Holographic prints, plotter drawings, single-channel video, […]
  • Announcing the NEW INC Art & Code Year 13 cohort! September 10, 2026
    Each year Rhizome partners with NEW INC on its Art & Code track, a year-long program designed to help artists realize or prototype a creative project in community with a network of other artists and thinkers. The Art & Code track is designed for individuals who critically engage with technology and the internet in their […]
  • Mastera Returns as Co-hosting Partner for Rhizome Benefit September 9, 2026
    In recognition of our shared commitment to computer art history, Mastera (M) will be a co-hosting partner for Rhizome’s 30th anniversary benefit on September 23. This continues a partnership that began with the Artist & Technologist dinner at this year’s 7x7. "Mastera amplifies trailblazing moving image art and music on a global scale,” notes Mastera's […]
  • Artist Profile: Vijay Masharani August 27, 2026
    The latest in a series of interviews with artists who make work that responds to network culture and digital technologies. Charlotte Strange: I experience your works most immediately through their use of color. Your drawings in the exhibition Sequin, Shadow reference it in their titles—both explicitly, as in Red Drawing and Green Vision, and through […]
  • WEBSITES WEBSITES WEBSITES! — A Celebration of Net Art's Past, Present, and Future August 24, 2026
    Can websites still support creative artistic expression in 2026? To mark our 30th anniversary, Rhizome has partnered with ARTXCODE on the new exhibition WEBSITES WEBSITES WEBSITES! (WWW!), curated by Sofia Garcia of ARTXCODE and Vienna Kim and Benoit Palop of LAN Party. This exhibition celebrates the website as an enduring site of experimentation, identity, and […]
  • Stop Worrying and Love the Computer: Art & Code’s "Edge Cases" August 14, 2026
    Code as law. Code as computational language. Code as social ruleset. Code as creative medium. Code as secret message. What does “Art & Code” mean in 2026? Visit Edge Cases Each year, Rhizome partners with NEW INC to host one of the incubator’s thematic tracks: Art & Code. Though deceptively simple, the rubric of “Art […]
  • Artist Profile: Mitch Anzuoni July 28, 2026
    The latest in a series of interviews with artists who make work that responds to network culture and digital technologies. Matilda Lin Berke: You’ve described video games as “possibility engines.” I think there’s a way in which—per Werner Herzog’s concept of “the accountant’s truth” vs. “the ecstatic truth,”—a simulation or emulation can unveil something more […]